Inspired by and based on the ubiquitous Fibonacci sequence, this piece is a reflection on the crossroads at which the deep relationship between nature and mathematics can be observed. This gripping work
Quintet for unpitched percussion instruments. It features a large array of concert and marching drums and auxiliary percussion instruments. The piece is set up in such a way that the performers face inward
Ancient Voices Distant Storms is based on the music and sounds the composer heard while visiting Japan. It tries to re-create the great bells one finds outside Japanese temples and
A groove-oriented piece about coming alive, existing, and finding oneself, this piece explores texture and meter within a mostly consistent pulse and a simple recognizable melody that pervades the work.
This quintet is scored for field drum, four concert toms and splash splash cymbal; field drum and bass drum; field drum and cowbell; field drum and timbales; military bass drum and hi-hat. It is based on
Exciting and powerful medium-level piece for unpitched percussion and timpani.
A haunting piece for five percussionists. Scored for all metal pitched and non-pitched instruments.
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Seldom does the percussion ensemble have the opportunity to perform melodic music of depth, beauty, and sensitivity. A 5-octave marimba is necessary for one player in the ensemble, which is comprised of
A medium-advanced piece for five percussionists. A mixture of drums, mallet instruments, and hand percussion.
Berserker is an aggressive and heavy work written for advanced solo marimba and accompanied by a supporting ensemble of 5 percussionists. While not directly programmatic, the atmosphere, title, and
Winner of the 1998 PAS Composition Contest, this nine minute work for percussion quintet is sure to become a standard piece in the serious percussion repertoire. Lynn Glassock, highly acclaimed composer of
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Written for drummer Stanton Moore, Camp Stanton is an exciting work for drum set and percussion ensemble which incorporates the classic rudimental solo Three Camps as well as several other unique styles and
Here is a tried and true piece for beginning ensemble. Each line is playable by a first year percussionist. The way the lines fit together make for a enjoyably primal piece. Narration provided on
A medium-advanced work for marimba soloist and percussion quintet inspired by the fascinating works of M.C. Escher.